La Cenerentola, Act 1, Chorus and Aria - Don Magnifico (Vocal Score)


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Opera and Musical Comedy | Robbins Library Digital Projects

P eter Hall's lauded production of Rossini's Cenerentola for the Glyndebourne Festival has been available on video since Now a live audio recording from the festival, with the same conductor and some of the same cast, is available from Glyndebourne's own label. The period instruments of the Orchestra of the Age of Enlightenment lend a special grace and spice except for the occasionally screeching piccolo , while the slightly lower pitch eliminates any vocal edginess.


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The cast's excellent ensemble skills and the superb musicianship of conductor Vladimir Jurowski bring liveliness and detail to every page of the uncut score. While Don Magnifico is unattractively greedy and boorish, neither he nor the stepsisters deteriorate into grotesque caricatures.

BWW Review: LA CENERENTOLA at Winter Opera St. Louis-- Magic Music, Not Magic Pumpkins!

When Cinderella refers to Clorinda and Tisbe Raquela Sheeran and Lucia Cirillo, respectively as "sisters," they rear back in outrage, but they never sound witchy or ridiculous. Romanian mezzo-soprano Ruxandra Donose brings sincerity and goodness to the title role, and her luscious, gently caressing sound is flexible throughout her range and especially potent in low-lying passages.


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In the role of the Prince, tenor Maxim Mironov, with his quick vibrato and secure top, is a nice musical match for Donose in their love-at-first-sight duet, although pitch problems occasionally mar his otherwise attractive performance. Alessandro Corbelli's linguistically nuanced and vocally pungent Don Magnifico is truly magnificent, and this seasoned and skillful Rossinian is not afraid to bring out the shallowness and vulgarity of this mean-spirited father.

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Smugly boasting that whichever of his two acknowledged daughters wins the prince's hand, he'll be set up nicely, Corbelli makes the most of "Sia qualunque delle figlie. Milan: Ricordi , n. Part of the research project Romantic Overtures, Paris: Dufaut et Dubois, n. Plate These files are part of the Orchestra Parts Project.

Editor W. Language Italian. Manuscript, Paris: Heugel , n.

La Cenerentola (Rossini, Gioacchino)

Plate H. Arranger Friedrich Wilhelm Kalkbrenner At least one page appears to be missing at the end of the score.

Firenze: Giuseppe Lorenzi, n. Arranger Unknown. Arranger E.

La Cenerentola: Magnifico's Aria (Alessandro Corbelli)

Rossini, Gioacchino. Mss score, ca.

La Cenerentola, Act 1, Chorus and Aria - Don Magnifico (Vocal Score) La Cenerentola, Act 1, Chorus and Aria - Don Magnifico (Vocal Score)
La Cenerentola, Act 1, Chorus and Aria - Don Magnifico (Vocal Score) La Cenerentola, Act 1, Chorus and Aria - Don Magnifico (Vocal Score)
La Cenerentola, Act 1, Chorus and Aria - Don Magnifico (Vocal Score) La Cenerentola, Act 1, Chorus and Aria - Don Magnifico (Vocal Score)
La Cenerentola, Act 1, Chorus and Aria - Don Magnifico (Vocal Score) La Cenerentola, Act 1, Chorus and Aria - Don Magnifico (Vocal Score)
La Cenerentola, Act 1, Chorus and Aria - Don Magnifico (Vocal Score) La Cenerentola, Act 1, Chorus and Aria - Don Magnifico (Vocal Score)
La Cenerentola, Act 1, Chorus and Aria - Don Magnifico (Vocal Score) La Cenerentola, Act 1, Chorus and Aria - Don Magnifico (Vocal Score)
La Cenerentola, Act 1, Chorus and Aria - Don Magnifico (Vocal Score) La Cenerentola, Act 1, Chorus and Aria - Don Magnifico (Vocal Score)

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