I am the red man driven from the land, I am the immigrant clutching the hope I seek— And finding only the same old stupid plan Of dog eat dog, of mighty crush the weak. Heart, we will forget him! You and I, to-night! You may forget the warmth he gave, I will forget the light. When you are old and grey and full of sleep, And nodding by the fire, take down this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep. Scarcely a tear to shed; Hardly a word to say; The end of a summer day; Sweet Love dead.
There are moments that cry out to be fulfilled. Like, telling someone you love them. Or giving your money away, all of it. Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light. Tree you are, Moss you are, You are violets with wind above them.
A child - so high - you are, And all this is folly to the world.
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It comes on unexpectedly. And goes beyond, really, any early morning talk about it. Darkness settles on roofs and walls, But the sea, the sea in the darkness calls; The little waves, with their soft, white hands, Efface the footprints in the sands, And the tide rises, the tide falls.
When we two parted In silence and tears, Half broken-hearted To sever for years, Pale grew thy cheek and cold, Colder thy kiss; Truly that hour foretold Sorrow to this. Skip to content. Just one beautiful line of poetry can stay with you forever. Synopsis The book looks at three major aspects of life in America and of life period. Buy New Learn more about this copy. About AbeBooks. Other Popular Editions of the Same Title. Search for all books with this author and title.
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Customers who bought this item also bought. Stock Image. Hardback James Wooten. New Hardcover Quantity Available: Book Depository hard to find London, United Kingdom. Seller Rating:. Wooten, James. Published by AuthorHouse I submit, if she was that determined of a young lady to wait around many years for her prince charming against the wish of everyone, including Ala al-Din and the entire social structure of the time, why in the world would she agree to marry Shams?
This last argument is the weakest of all claims for her older age. I submit that Kimia was 12 at the time of her forced marriage to Shams. This simply makes historical sense and it is consistent with the untold or secret history of Rumi, it also explains the tragic events that follow this unfortunate mating. Rumi wanting to keep Shams around for as long as possible makes him an offer he couldn't refuse--hand of Kimia in marriage. And this works. Prior to the offer, Shams was fully committed in taking off a second time and never returning to Konya.
A Poet Sings of Freedom, Love and Life.
He was sick of all the death threats and constant nagging of everyone around him to leave master Rumi alone. When Rumi announced his decision for Kimia's fate, it sent shockwaves through the region. Rumi potentially multiplied Sham's growing unpopularity. And the decision not only made the household very unhappy but caused Rumi's youngest son, who most probably was planning marriage with Kimia, fuming. After the marriage Shams becomes extremely obsessive and possessive of Kimia.
He basically keeps her indoors at all times and forbids her to ever leave the house. Apparently Rumi's youngest son was always lurking around Kimia's residence, as he was unwilling to accept her marriage. And this specially annoyed Shams. So Shams would routinely chase Ala al-Din away and forbid Kimia to ever see her step brother. Shams apparently was known to punish Kimia for any misbehavings, even for minor things such as going out to a public garden with her mother. However, long held Middle Eastern marriage customs typically show extreme possessiveness on behalf of husbands. This is of course true today as wives are either routinely prevented from leaving the house or kept wrapped up in chadors or burqas when in public and never allowed to go out unaccompanied.
So Shams in essence was behaving very much like a typical husband. Shams' entire life was about pursuit of self-realization and ascension without any concern for social norms. High caliber mystics like Shams typically never take a wife and routinely live hermetic lives away from society. So, this ill-fated marriage is one of the biggest ironies of Rumi and Sham's unconventional relationship. Kimia dies just a short few months after being married. And death of Kimia in essence brings the end of Shams.
I explain various reasons that history offers for Sham's second disappears after the death of Kimia in topic 5, however the real reason was that, the entire region became enraged that a young princess had suffered such an unfortunate fate. And it was the wish of all for Shams to pay a price for it. Soon after her death, Ala al-Din, plus 3 of his friends commit honor killing on Shams. And this honor killing that was approved by all including townspeople and the police , was kept from Rumi all his life.
Rumi thought Shams disappeared after death of Kimia and not wanting to be found again. Some explain, since Rumi would not have been a poet without Shams it is apt that the collection be named after him. Others have suggested that at the end Rumi became Shams, hence the collection is truly of Shams speaking through Rumi.
I disagree with both of these statements. They mainly have been hypothesized by non-creative types. Any artist can attest that no matter the inspiration the final work is an expression of the creative individual. We are all inspired when we create. Inspired by nature, our environment, our childhood or culture, place of birth, romantic encounters, other artists, events in history and of course other individuals who cross our path.
Rumi named the collection after his mentor to make sure Shams' name will be remembered alongside himself. Rumi knew well that his students, family members and historians had little intention to remember this wandering, wild holy man who was severely disliked by almost everyone in town. They considered Shams a blemish on Rumi's otherwise pristine reputation.
Rumi as usual took the matter into his own hands. He not only named the collection after Shams, but used Shams as the pen name or signature at the end of hundreds of his poems.http://ncof.co.uk/map7.php
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He assured that his successors had no possible alternative but to perpetuate Shams. Even altering the title of the epic would not have wiped Shams from the history books, since few hundred poems still enshrined him. So, what is it between these two? Why was Shams so precious to Rumi?
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